Member's Gallery > Ana Lisa Hedstrom
I think of fabric as conversation. It can be subtle, bold, witty, seductive. The shibori resist dye techniques create intricate patterns which may be perused as a language or script. I hope my own dialogue with the process, color and piecing will ultimately speak to the viewer. Biographical Information Education: Solo Exhibitions Shibori: Tradition & Innovation - East to West, San Francisco Craft & Folk Art Museum, 2001 Fiberart International, Pittsburgh, PA 2001 Pushing the Surface, Johnson-Humrickhouse Museum, Coshocton, OH 2001 Art, Image and Identity
1900-2001, Los Angeles County Museum, Los Angeles, CA 2000
Art of Wear: The Body Adorned, Berkeley Art Center, Berkeley, CA 1998 Dressed Up, Wustum Museum, Racine, WI, 1998 Surface Tension, Center of Contemporary Art, St. Louis, MO, 1997 The Fabric of Life: 150 Years of Northern California Fiber Art, San Francisco State University, San Francisco, CA, 1997 The Kimono Inspiration, The Textile Museum, Washington, DC, 1996 New Tools, Littman Gallery, Portland State University, Portland, OR, 1995 Recent Acquisitions, American Craft Museum, New York, NY, 1993 Contemporary Shibori, International
Invitational, Nagoya, Japan, 1992 Color, Light, Surface, Cooper-Hewitt Museum, New York, NY 1990 Traje: Um Objecto de Arte?, Gulbenkian Museum, Lisbon, Portugal, 1990 Shibori, Nagoya, 1989, in conjunction with World Expo 1989 Craft Today: Poetry of the Physical, American Craft Museum, New York, 1986. Tour of USA, 1998 Material Images, Bowling Green, OH, 1986 Handmade Clothing: 10 American Artists, British Crafts Center, London, England, 1985 Art to Wear, American Craft Museum USIA Tour to 8 Asian countries, 1984-1985 Contemporary Wearable Art, Newark Museum, NJ, 1984 Shibori, Traditional Japanese and Contemporary Japanese and American Textiles, Takeda Kahei Shoten, Nagoya, Osaka, Tokyo, Japan, 1984 Celebration '84: A Sense of Occasion,
Ontario Crafts Council, Toronto, Canada, 1984 California Crafts XIII, Crocker Art Museum, Sacramento, CA, 1983 Fiber as Art, Metropolitan Museum of the Philippines, Manila, Philippines, 1980 Maximum Coverage: Wearables by Contemporary American Artists, John Kohler Art Center, Sheboygen, WI, 1980 National Minature Fiber Exhibition, Armory for the Arts, Santa Fe, NM, 1979 The Dome Group Show, University of Nevada, Las Vegas and Reno, NV, 1979 The New Fabric Surface '78, Renwick Gallery, Smithsonian Institute, Washington, DC, 1978 Third International Exhibition of Minature Textiles, London, England, 1978 Honors and Awards Top Prize, International Division, Shibori, Nagoya,
'89, in conjunction with the World Expo '89 in Nagoya, Japan Selected Teaching
Fiberarts Magazine, cover photo, 1997 The Kimono Inspiration, Wada, Dale, Corwin, authors, 1996 Ornament Magazine, cover photo and article, Summer 1993 The Surface Designers Art, Lark Books, 1993 The Book of Silk, Phillipa Scott, Thames and Hudson, 1993 American Craft Magazine, cover photo and article, 1991 California Designers by Douglas Bullis, Peregrine Smith Books, 1987 Art to Wear by Julie Schafler Dale, Abbeville Press, 1986 Craft Today, Poetry of the Physical, American Craft Museum by Paul Smith and Edward Lucie-Smith, 1986 Fiberarts Magazine, "Ana Lisa Hedstrom: The Intuitive Language of Shibori," by Jessica Scarborough, January/February, 1985 Fiberarts Magazine, "Art to Wear: Looking at the Movement" by Jessica Scarborough, May/June, 1985 Senshoku Alpha Magazine, "American Textile Artists," by Shigeki Fukumoto, Japan, 1984 American Craft Magazine, Cover Photo, "art to Wear" by Linda Dyett, September, 1983 Shibori by Yoshiko Wada, Mary Kellog Rice and Jane BArton, Kodansha International, 1983 Senshoku Alpha Magazine, "shibori in America," by Yoshiko Wada, Japan, 1982 The New York Times, "Patterns on Fabric: Subject of Three Shows," by Stephanie Reith, April, 1980 London Times, "Fine Art: Nothing over Eight Inches," by John Russell Taylor, August 12, 1978 San Francisco Magazine, "Five Women Artists," by Ann Gold, September 1977 Permanent Collections |
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