In
1608 Eight families settled along a stretch of the Tokaido or ‘eastern
sea
road’ connecting Kyoto and Osaka to the new capital, Edo, now
Tokyo.
Originally farmers, they took up handicraft and
developed a peasant
textile industry, initially mimicing the fine silk shibori techniques
found in Kyoto and ultimately developing their own methods and
techniques for working with silk and cotton fabrics to create
magnificent designs for summer and winter clothing and home
decoration. Narumi became the 41st station
along
the Tokaido, and joined in with the neighboring village of Arimatsu to
create a rest stop and cottage industry that would eventually grow to
be known worldwide as “Arimatsu-Narumi Shibori”.
In 2008, the Guild of Artisans of Arimatsu and
Narumi in collaboration
with Studio Galli Productions will release the most comprehensive
overview of Arimatsu Shibori available in honor of reaching 400 years
of continued Shibori production. Each part of the process is
meticulously detailed in this wonderful film, with narrative highlights
and English translation provided by acclaimed Shibori author and
scholar, Yoshiko Iwamoto Wada. Come along with us
as we visit artist studios and workshops to see the shibori processes
demonstrated by the most expert artisans available today. Includes many
contemporary and historical examples of Shibori textiles
hand made by local artisans.
DVD
• Runtime 155 minutes
• English Language Version
• Filmed in Arimatsu and Narumi, Japan
• Edited in California, USA
•
Narration by Yoshiko Iwamoto Wada
Also available from
dealers worldwide!
MEMORY ON CLOTH: Shibori Now
By Yoshiko Iwamoto Wada
"Through her first book,
Shibori, and through her exhibits, lectures, and personal persuasion in
every communications medium, Wada has single-handedly changed our field
and its language."
-From the Memory on Cloth foreword by Jack Lenor Larsen
Shibori is infinitely more than the tie-dye
that became well known in the late 1960s. Shaped-resist dyeing
techniques have been done for centuries in every corner of the world.
Yet more than half of the known techniques-in which cloth is in some
way tied, clamped, folded, or held back during dyeing to keep some
areas from taking color-originated in Japan.
Shibori can be used not only to create patterns on
cloth but also to turn fabric from a two-dimensional into a
three-dimensional object. The word is used here to refer to any process
that leaves a "memory on cloth"-a permanent record, whether of
patterning or texture, of the particular forms of resist done.
In addition to traditional methods it encompasses
high-tech processes like heat-set on polyester (made famous by Issey
Miyake's revolutionary pleated clothing), melt-off on metallic fabric,
the fulling and felting that made it possible to turn all-natural
fabrics into three-dimensional shapes, weaving resist (in which, for
instance, a warp thread can be pulled to gather the cloth to resist
dye), and dŽvorŽe, in which just one part of a mixed fabric is
dissolved with chemicals.
Author Yoshiko Iwamoto Wada has been teaching
shibori around the world for nearly thirty years, and helped to
establish the World Shibori Network and the International Shibori
Symposium. In 1983, she co-authored the authoritative Shibori: The
Inventive Art of Japanese Shape-Resist Dyeing (Kodansha International),
which in turn inspired many artists to add shibori processes to their
repertoire.
The range of vibrant modern art covered in Memory
On Cloth is remarkable, and includes work by artists from Africa, South
America, Europe, India, Japan, China, Korea, the United States, and
Australia in more than 325 stunning photos and illustrations. It
encompasses fabric design, wearable art and fashion, and textile art or
various sculptural forms. The work of more than seventy innovative
artists and designers including Issey Miyake, Yohji Yamamoto, Jurgen
Lehl, Jun'ichi Arai, HŽl�ne Soubeyran, Genevi�ve Dion, Asha Sarabhai,
Junco Sato Pollack, Ana Lisa Hedstrom, Marian Clayden, and Carter Smith
is presented, and each artist shares details on the processes that they
themselves have created, making this an invaluable reference for
artists in every field. A number of innovative artists who combine
shibori techniques with knitting, weaving, or quilting are also
included, suggesting new ways to combine innovation with more
traditional forms. A final section on modern techniques gives extremely
detailed information, including recipes on various high-tech processes
and the particular methods that individual artists use to achieve
certain effects.
As informative as it is inspirational, Memory On
Cloth will take its place alongside Wada's earlier work, Shibori, as a
definitive text that will help keep shaped-resist dyeing processes a
vibrant and important form of modern art.
Memory On Cloth
By Yoshiko Iwamoto Wada
Pub Date: June 2002,
Price: $80.00 hardcover
Pages: 216, ISBN: 4-7700-2777-X
Kodansha International
www.thejapanpage.com
Available
June 2002 at fine bookstores and online booksellers everywhere. For
retail orders please contact Oxford University Press at (800) 451-7556.
Shibori
no Hana: Japan "Flowers of Shibori: Japan"
Txtiles from Okinawa, Kyushu, Honshu
Examples include: purple root dyeing in the
North, old kimono silks from Kyoto; indigo dyed towels from Izumo;
shibori yukata from Arimatsu
120 pages
Shibori
no Hana: World “Flowers of ShiboriI: World”
Textiles from India, Tibet, China, Mongolia, Pakistan, Indonesia,
Nepal, Africa, Philippines, the Andes, Syria, Uzbekistan, Afghanistan,
Egypt, Peru.
Examples include: board clamp resist in Tibet, China, Egypt; Abaca
costumes from Philippines; turban (laharia) from India.
120 pages
Katano Motohiko sakuhinshu: Shibori to Ai
Limited edition. Publ. 1976, reprinted 1999. Approx 4kg
A limited-edition volume featuring the works of Motohiko Katano
(1899–1975), a painter-turned-dyer, who created a body of sublime
shibori work during the last twenty years of his life using indigo and
other natural dyes. Guided by Soetsu Yanagi, leader of the mingei
(“folk craft”) movement, Katano recognized the potential and beauty of
the humble art of Arimatsu-Narumi shibori.
Shibori: The Inventive Art of Japanese Shaped
Resist Dyeing
by Wada, Rice and Barton
published by Kodansha International Limited.
Now available in paperback for under $50
dollars
It has been referred to as "the shibori bible",
covering history and development, as well as having many photographs of
full garments and fabric details, plus process and technique
descriptions with illustrations that can serve as a learning guide.
This book was first published in 1983 and had its
seventh printing in 1997. The last of the books from the seventh
printing have been sold from the publisher's supply and will no longer
be available. Amazon.com is now out, but there may still be some copies
at a few book stores around the country, such as the Textile Museum
shop. Yoshiko Wada may be able to extend some author's discount to
students and artists using this order
form
Limited edition "World Shibori" swatch book
published for the First International Shibori
Symposium (ISS '92), in 1992
by International Shibori Symposium Organizing Committee
distributed by World Shibori Network published in 1992, Nagoya, Japan
This book includes 32 actual swatches of different
shibori techniques from around the world.
There are 26 actual fabric swatches representing traditional Japanese
techniques including the famed kyo kanoko shibori in silk (all others
are in cotton), plus 3 sticth resist examples from Yunan Province,
China, 1 swatch of either bandhani (tied dots) or laharia (rolled and
bound) techniques from western India, 1 swatch of tritik (stitch
resist) from Indonesia, and 1 swatch of sticth resist from Mali
Republic, Africa.
Some of the Japanese techniques are no longer
replicatable since the artisans have passed away. Great teaching
material.
SORRY, OUT OF STOCK. THIS ITEM IS NO LONGER
AVAILABLE
Third International Shibori Symposium Exhibitions
Catalogue
Published by Chilean Organizing
Committee for Third ISS (Comité Organizador Chileno Tercer Simposio
Internacional de Shibori)
And World Shibori Network
Published in November 1999, Santiago, Chile
Amarras En Los Andes Prehispanicos
Exhibition Catalogue, published by Museo Chileno
de Arte Precolombino in Santiago, November 1999
Text written by Paulina Brugnoli and Soledad Hoces de la Guardia
SORRY, OUT OF STOCK. THIS ITEM IS NO LONGER
AVAILABLE